The exhibition “Interference” examines the phenomenon of overlap — of images, inner states, cultural memory, and perception. Bringing together three artists working across different media and visual languages, the project is united by a shared focus on transformation and the experience of presence.

Olga Tobreluts engages with cultural archetypes and the visual legacy of art history through the lens of digital technologies. Her lenticular works shift depending on the viewer’s position, emphasising the instability of representation and the active role of perception.

Irina Anina’s practice introduces a different temporal register. Her paintings slow down the act of looking, inviting contemplation and framing nature as a space of memory and duration rather than depiction.

Amanda Lutiere works from an inward, embodied perspective, translating emotional and sensory experience into painterly structures. Through layered colour fields and an intimate sense of proximity, her works create spaces without horizon or distance.

Together, the artists’ practices form a unified statement in which inner and outer realities resonate. Their works intersect and overlap, producing an effect of interference — a convergence of meanings, sensations, and visual rhythms.

Olga Tobreluts is a pioneering figure in media art whose practice investigates the construction and transformation of the human image within culture. Drawing on classical mythology, art history, and contemporary digital aesthetics, she reconfigures visual archetypes through new technologies.

Her lenticular works activate perception through movement, revealing shifting images that underscore the instability of identity and representation in the digital age. Within the exhibition, Tobreluts’s works function as a cultural marker at the intersection of tradition, innovation, and technological experimentation.
Irina Anina’s practice unfolds at the intersection of painting, drawing, and sculpture, engaging with themes of memory, duration, and presence. Rather than depicting landscape, she approaches nature as a contemplative field — a site of quiet resonance and inner reflection.

In the context of “Interference,” Anina’s works introduce moments of stillness and pause. They enter into dialogue with the emotional intensity of Amanda Lutiere’s paintings and the cultural transformation of imagery in Olga Tobreluts’s practice, forming a third layer of interference grounded in attentive observation and remembrance.
Amanda Lutiere is a Brazilian artist whose practice centers on painting and drawing as tools for registering inner states. Her works emerge from an intuitive process that translates emotional and bodily experience into tactile, layered painterly surfaces.

Dominated by deep blues, violets, and reds, her compositions dissolve distance and horizon, immersing the viewer in an intimate space of proximity and presence. Here, sensation, memory, and perception coexist without the need for narrative explanation.